A B O U T   T H E   A R T I S T  


1990 to date
Self-employed artist, illustrator, designer and teacher, working for a wide range of clients. I paint murals and carry out other commissions for private individuals, and also work as a graphic designer and typographer for a number of companies. In my work I use traditional craft techniques as well as the latest versions of professional software applications such as Adobe Ilustrator, PhotoShop and QuarkXPress. Among my recent clients are publishers such as Dorling Kindersley and W Foulsham (book covers, illustrations and storyboards), Mac Recruitment Consultants (contract artwork), Lambrook Haileybury School (teaching, designing magazine, stationery, leaflets, prospectus), Procter and Gamble (caricatures, storyboards, design for print and interactive media), and The Syntax Group (architectural perspectives, illustrations, exhibitions and brochures).

1988—1990
Head of Graphics Department for Blissett MacDonald Associates, based in Windsor. This involved working closely with the architects and interior designers in the practice, and I was responsible for all the signage, printwork, brochures, exhibitions and presentations relating to clients' projects as well as those of the company itself. As a result of the 1990 recession the company ceased trading and I decided to return to self-employment.

1983—1989
Design Consultant, Dubai, United Arab Emirates. My clients included local companies such as the Kanoo Group and the Dubai International Trade Centre as well as international ones like Shell, Ogilvy & Mather and J Walter Thompson. I worked a lot with local interior designers such as Fitch and Co, Bamboo and Design Unit.

1982—1983
Joint Creative Director of Impact/BBDO in Nicosia, Cyprus. Worked on Johnson Wax, Gillette, Pepsi and other pan-Arab accounts for the agency driven out of Beirut by the civil war.

1980—1982
Creative Director, SSC&B:Lintas Middle East, Dubai, UAE. Developed writing, planning and administrative skills working for international clients such as Unilever International and Shell Petroleum, as well as local clients like Motivate Publishing. Taught a weekly drawing class at the Art Society.

1978—1980
Freelance Designer, London. After ten years I had had my fill of big international agencies and endless meetings, so I applied what I had learned to small clients like Sheed and Ward Publishers, Sunwheel Organic Foods and Foster & Knowles Advertising (of Wandsworth).

1977—1978
Senior Art Director, Allen Brady & Marsh, London. Accounts worked on included Scottish & Newcastle Breweries, Johnson Wax, Domecq and Woolworths.  

1972—1976
Senior Art Director, Benton & Bowles, London. Again I worked on Procter & Gamble, but also on IBM, ITT, General Foods and Grattan Warehouse in press, print and TV accounts.

1970—1972
Art Director, Grey Advertising, London. Started working on TV advertising, and specialised in Procter and Gamble business.

1968—1970
Junior Art Director, J Walter Thompson, London. I was hired as a print specialist, and broadened my range to cover press advertising.

1967—1968
Designer, assistant to Willy de Majo, Chelsea-based design consultant, veteran of the Festival of Britain and President of ICOGRADA, the international design organisation.

1964—1967
Visiting lecturer and external examiner for High Wycombe College of Art. I started up an in-house design department for Bradley's the Printers. At first it was in their letterpress plant in Reading, and then in their Parsons Green litho plant. I worked closely with the compositors, machine minders and bookbinders, while training assistants in the design department.

1960—1963
I worked during vacations in the Display and Cardboard Engineering Department of Gillette at their head office in Brentford, Middlesex and for the London advertising agency Pritchard Wood and Partners.

1960—1964
Studied under Professor J Antony Betts at the University of Reading School of Fine Art, graduating with a 2:1 BA (Hons), having specialised in Printmaking, Typography and Book Production. The professor had studied drawing with Walter Sickert, who had studied with Edgar Degas, so the school was very much part of the grand European tradition.

1952—1959
Educated at Blackfriars School Llanarth and Laxton, obtaining 9 O-Levels (English Language, English Literature, Geography, French, Latin, History, Maths, Art and General Paper) and 4 A-Levels: (English, French, Latin and Art).

1947—1952
Educated at St Edward's College and The Royal Naval School, Malta.